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Atticus Adams

Atticus Adams


Atticus Adams is an American sculptor known for transforming industrial materials into lyrical, organic forms. Working primarily with aluminum and metal mesh, he shapes each piece by hand to evoke natural elements such as flora, clouds, and flowing water. Born in Oregon and raised in West Virginia, Adams draws inspiration from his Appalachian roots and a family tradition of folk craftsmanship. His work explores transformation, resilience, and the beauty found in ordinary materials. Adams studied at the Yale School of Art, Rhode Island School of Design, and Harvard School of Architecture, and his sculptures have been exhibited in institutions including the Carnegie Museum of Art, The Mattress Factory, and The Westmoreland Museum of American Art.

All artworks by artist



Atticus Adams isn’t afraid to revisit his childhood memories. Born in Oregon and raised in West Virginia, Adams often speaks—with a soft Southern twang—of summers spent at his grandmother’s house. The green apples and salt she would prepare in the August heat, the dress linings from her fashion trunks, and the weathered screen of her porch door all appear as oblique references in his work.

Adams’s memories and sculptures evoke a Faulkner-like saga of summers in Appalachia: soft silken weeds floating above wild, overgrown grass; floral petals tilted by summer rain; or algae swaying in mountain streams and creeks. His chosen material, aluminum and metal mesh, is both durable and porous, nimble yet sharp. Each sculpture is formed almost entirely by hand, shaped intuitively from industrial mesh and sometimes layered with paint or fragments of glass to enhance depth and reflection. What begins as raw, utilitarian material becomes lyrical and organic through transformation—an act central to his practice.

His work often carries quiet themes of resilience, renewal, and beauty emerging from the ordinary. Adams frequently reuses and repurposes industrial or architectural materials, continuing a dialogue between fragility and strength, function and form.

Atticus grew up steeped in traditional folk art. Several members of his family were self-taught artists, deeply involved in crafts such as wood carving and quilting. “Making tangible objects is definitely part of my family heritage,” he says. “I come from a tradition of using simple, readily available materials for creative expression—I like to think of my work as Neo-Appalachian Folk Art.”

His formal art training includes studies at the Yale School of Art, the Rhode Island School of Design, and the Harvard School of Architecture. Adams’s art has been exhibited in national institutions including the Carnegie Museum of Art, The Mattress Factory, The Frick Pittsburgh Museum, and The Westmoreland Museum of American Art. His sculptures are now part of public and private collections across the United States, Mexico, Great Britain, Spain, Australia, Saudi Arabia, China, and the Philippines.


Atticus Adams isn’t afraid to revisit his childhood memories. Born in Oregon and raised in West Virginia, Adams often speaks—with a soft Southern twang—of summers spent at his grandmother’s house. The green apples and salt she would prepare in the August heat, the dress linings from her fashion trunks, and the weathered screen of her porch door all appear as oblique references in his work.

Adams’s memories and sculptures evoke a Faulkner-like saga of summers in Appalachia: soft silken weeds floating above wild, overgrown grass; floral petals tilted by summer rain; or algae swaying in mountain streams and creeks. His chosen material, aluminum and metal mesh, is both durable and porous, nimble yet sharp. Each sculpture is formed almost entirely by hand, shaped intuitively from industrial mesh and sometimes layered with paint or fragments of glass to enhance depth and reflection. What begins as raw, utilitarian material becomes lyrical and organic through transformation—an act central to his practice.

His work often carries quiet themes of resilience, renewal, and beauty emerging from the ordinary. Adams frequently reuses and repurposes industrial or architectural materials, continuing a dialogue between fragility and strength, function and form.

Atticus grew up steeped in traditional folk art. Several members of his family were self-taught artists, deeply involved in crafts such as wood carving and quilting. “Making tangible objects is definitely part of my family heritage,” he says. “I come from a tradition of using simple, readily available materials for creative expression—I like to think of my work as Neo-Appalachian Folk Art.”

His formal art training includes studies at the Yale School of Art, the Rhode Island School of Design, and the Harvard School of Architecture. Adams’s art has been exhibited in national institutions including the Carnegie Museum of Art, The Mattress Factory, The Frick Pittsburgh Museum, and The Westmoreland Museum of American Art. His sculptures are now part of public and private collections across the United States, Mexico, Great Britain, Spain, Australia, Saudi Arabia, China, and the Philippines.


SOLO EXHIBITIONS

2025
  • My Venetian Grotto, Zynka Gallery, Pittsburgh, PA
2024
  • My Blanket In The High Grass, Artspace W, Los Angeles, CA
2021
  • Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA
  • My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA
2018
  • There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA
  • Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA
2016
  • Mesh Werks, Desert Art Collections, Palm Desert, CA
2015
  • Shapes & Forms, Desert Art Collections, Palm Desert, CA
  • Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA
2014
  • Skeeter Baby and Other Specimens, Nutting Art Gallery, West Liberty University, WV
  • Arcadia, BE Galleries, Pittsburgh, PA
2013
  • Summertime, BE Galleries, Pittsburgh, PA
  • Joggling Board Summer, Orchard Windows Gallery, New York City, NY
2011
  • Atticus Adams - An Appalachian in Paris, Borelli-Edwards, Pittsburgh, PA
2010
  • My Walden, Society of Contemporary Craft, Pittsburgh, PA
2007
  • Atticus Adams, Europ’art Gallery, Pittsburgh, PA
2004
  • Joyland, Mineral Spring Lofts, Pawtucket, RI

GROUP EXHIBITIONS

2025
  • As If Remembered, Artspace Warehouse, Los Angeles, CA
  • Fresh Face, Rubine Red Gallery, Palm Springs, CA
  • PRISMS, Walker Fine Art, Denver, CO
  • Espesor, 54Gallery, Merida, MX
  • Apertura, 54Gallery, Mexico City, MX
2024
  • Man’s Shadow, Tamayko Foundation, Pittsburgh, PA
2023
  • Sing to the Ocean, FP Contemporary, Los Angeles, CA
  • Evocation, Walker Fine Art, Denver, CO
  • Credible Thread, Artspace Warehouse, Los Angeles, CA
2022
  • The Line, Artspace Warehouse, Los Angeles, CA
2020
  • 110x110x110, AAP Exhibition Space, Pittsburgh, PA
2019
  • AAP 107th Annual, Westmoreland Museum of American Art, PA
  • Current, Zynka Gallery, Pittsburgh, PA
  • Organic Subtleties, Walker Fine Art, Denver, CO
  • 3D, Morgan Contemporary Glass Gallery, Pittsburgh, PA
2018
  • Touchstones, Cindy Lisica Gallery, Houston, TX
  • How to Make Memories, Artspace Warehouse, Los Angeles, CA
2017
  • Blue, Pittsburgh Center for the Arts, Pittsburgh, PA
  • Group A NOW, Box Art Gallery, Pittsburgh, PA
2016
  • 59th Annual, Chautauqua Institution, NY
  • AAP 105 Show, Carnegie Museum of Art, Pittsburgh, PA
2015
  • Summer Show, Art Space 616, Sewickley, PA
  • Screen Memories, Point Park University, Pittsburgh, PA
  • AAP 104 Show, Butler Institute of American Art, Youngstown, OH
2014
  • Flowers, Chautauqua Institution, NY
  • An Aberrant View, Ann Street Gallery, Newburgh, NY

INSTALLATIONS

2025
  • Frieze, The Rockefeller Group – Washington DC
  • Catching Sunbeams, The Frick - Pittsburgh, PA
  • Appalachian Blues II, Mayo Clinic- Jacksonville, FL
2024
  • Arcadia In Pink II, Akron Art Museum - Open Studio, OH
2022
  • Appalachian Blues, Pittsburgh International Airport, PA
2020
  • Flora Contempo II, Facebook, Pittsburgh, PA
2019
  • Silver Linings II, The Glass Lofts, Pittsburgh, PA
  • From the Velveteen Closet, University of Pittsburgh Art Gallery, PA
2018
  • Around the Pond, Arcadia, The Children’s Museum of Pittsburgh, PA
2017
  • Wall Flora, Pennsylvania Convention Center, Philadelphia, PA
  • Flora Contempo, Nemacolin Woodlands Resort, Farmington, PA

AWARDS

2018
  • Pittsburgh Center for the Arts—Artist of the Year
2017
  • Pittsburgh Artist of the Year Nominee
2016
  • Carol R. Brown Creative Achievement Award Nominee
2015
  • Silver & Gold, WAX Jewelry Design Studio, Pittsburgh, PA
2013
  • Seamonkey Garden, Children’s Museum, Waterplay Room, Pittsburgh, PA
  • Majorelle Jardin, O’Bannon Oriental Carpets - Windows, Pittsburgh, PA
  • Anna Marie Sninsky Award, Associated Artists of Pittsburgh
2012
  • Silver Linings, Dinette, Pittsburgh, PA
2010
  • Transcendental, Philadelphia Art Alliance, Philadelphia, PA
2009
  • Gestures 12, Mattress Factory, Pittsburgh, PA
2008
  • The Kors, Fiber Arts Guild of Pittsburgh, Pittsburgh, PA
  • Best In Show, Fiber Arts Guild of Pittsburgh, Pittsburgh, PA
2007
  • STRUNG, FE Gallery, Pittsburgh, PA
  • Best of Pittsburgh Show, Three Rivers Arts Festival, Pittsburgh, PA
  • Olympic Installation Theatre, Mattress Factory, Pittsburgh, PA
2006
  • The Chapel, Brew House Space 101 Gallery, Pittsburgh, PA
  • White Room, Unblurred, Pittsburgh, PA

PROJECTS

2017
  • In the Company of Ghosts, Set and Costume Design, Pittsburgh, PA
  • ABBEY: In the Red, Set and Costume Design, Pittsburgh, PA
  • CMOA’s Material Worlds Fashion Show, Designer, Pittsburgh, PA
2015
  • 412 MADE, Exhibitor, Architectural Digest Home Design Show, New York, NY
  • Mesh Lab, Instructor, Touchstone Center for Craft, Farmington, PA
2014
  • Madagascar, Associate Set Designer, Quantum Theatre, PA
2013
  • Progression Film Project, Pittsburgh, PA
  • Solaire Casino, Manila, The Philippines
2012
  • “Steel Weavers” Video Collaboration with Sound Artist Robert Weis
2010
  • Medallions & Cloud Chains, Cosmopolitan Hotel, Las Vegas, NV
  • Renaissance on the Allegheny, Renaissance Hotel, Pittsburgh, PA
2008
  • The Goat, Set Design Sculptures, Pittsburgh Playhouse, PA
2006
  • After Mrs. Rochester, Assistant Set Designer, Quantum Theatre, PA

PUBLICATIONS

2024
  • “Meet Atticus Adams”, Canvasrebel
2022
  • “Can Art Heal”, Pittsburgh Post-Gazette
2018
  • “In the Pink—Atticus Adams,” Shady Ave Magazine
2017
  • “Sculpture: Artistry in Fiber—Volume 2”
  • “Material Worlds + Atticus Adams,” Wavy Alabaster
2015
  • Midcentury Masterpieces, Lake Erie Living Magazine
  • Artist and Artisans in Their Inspiring Studios, Houzz.com
  • Artists Share a Colorful Industrial Loft and Studio, Houzz.com
2014
  • “You Live in What?” HGTV
  • “Emerging Pittsburgh Artists You Should Know,” Complex.com
2013
  • Cover Image for Powder Coating Magazine
2012
  • “Innovative Fiber Metal Sculptor Atticus Adams,” Eyes in Magazine
2011
  • “Screen-Based Sculpture Allow Artist to Create a New World,” Pittsburgh Tribune Review
2010
  • “Artist Creates Another World in Pittsburgh,” Pittsburgh Tribune Review
2009
  • “Castles In the Air—Atticus Adams,” Arts in Residence
  • “Castles In the Air—Atticus Adams,” Interview with Spraygraphic.com
  • Featured Artist #1, Textile Arts
  • The Very Fiber of Great Art to Be Showcased at Luke & Eloy, Examiner.com
2007
  • Seed Issue, Artworld Digest Magazine

NOTABLE COLLECTORS

  • Louis Vuitton Store
  • Morgan Pressel, LPGA

TV & FILM

  • You People, Netflix
  • American Gigolo, Showtime
  • Grace and Frankie, Netflix
  • Minx, HBO
  • Swipe, Hulu
  • Sugar, Apple TV+
  • Loot S3, Apple TV+
  • The Morning Show S4, Apple TV+
  • The Company You Keep, ABC
  • Bel-Air S2, Peacock
  • Atlas, Netflix