Ink, Graphite on Paper
34 x 26 in
86 x 66 cm
White Wood Frame
Artspace Warehouse (Upon Request - O)
Barbara Kolo’s one-of-a-kind painting consists of a collection of dots and lines, carefully placed with ink and graphite on paper. By applying hundreds of small, distinct dots of ink in a pattern to form the image of a unique shape, Kolo relies on the eye and mind of the viewer to blend the dots and lines into a full picture.
Kolo created this black and white painting on archival paper to capture a unique shape with a balanced subtlety. It is signed by the artist on the front in the lower right corner. It is framed in a white modern frame. The framed size is 34 inches tall and 26 inches wide. It is wired and ready to hang. Convenient local Los Angeles area delivery. Affordable US and worldwide shipping. A certificate of authenticity is included.
Barbara Kolo was born and educated in New York. After she developed an appreciation for art from an early age, her interest in drawing and painting led her to attend the High School of Art and Design, followed by the School of Visual Arts. She received her BFA from SVA in 1981. During the 1980's, Barbara built a career as an award-winning art director in creative advertising for films and television. It was this career that brought her to Los Angeles in 1989.
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Barbara Kolo was born and educated in New York. Having developed an appreciation for art from an early age, her interest in drawing and painting lead her to attend the High School of Art and Design, followed by the School of Visual Arts.
During the 1980’s, Kolo built a career as an award-winning art director in creative advertising for film and television. Her job brought her to Los Angeles in 1989. As an independent freelance art director, she worked directly with major film studios and design studios and became the Director of Print Advertising at Universal Studios.
Barbara Kolo’s early interest in drawing and painting has never diminished. During the early 90’s, she followed the urge to develop her own personal artistic voice and began creating her own works. Her drawings were soon being included in local and national group shows. Her focus slowly changed from commercial to fine art.
Inspired by natural forms and influenced by Impressionist, Aboriginal, and Asian art, she has developed a meditative visual language using the simplicity of dots, lines, and circles. She repeatedly hand-stamps ink or acrylic circles with different degrees of pressure, creating imperfections and variations that expose the artist’s hand. Each dot or circle is then counted with tally marks that become an integral part of the image. The total tally is the title of the work.
Kolo moved with her husband to Paris in 2000. She rented an art studio by La Bastille and participated local art exhibitions. In 2003, the couple returned to Santa Monica. Since then, Kolo’s artworks have continuously been exhibited in various solo and group exhibitions. Barbara Kolo’s work is held in public and private collections in the United States, Canada, France, Germany, Taiwan, Australia, and the U.A.E.
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